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_________CV: Visual Communication Designer
 
 
ICONOGRAPHY
(2011) Expanding Iconography in Digital Age
(2011) Expanding Iconography > As a 'Barcode'
(2011) Expanding Iconography > Library Classifications
(2011) Expanding Iconography > As a Language
(2010) Expanding Iconography > Syntax
(2007) ISOTYPE Created in a Limited Line Frame
(2007) Typeface Created in a Limited Line Frame
 
NARRATIVE ARCHITECTURE
(2011) Course: Envisioning Information
(2010) July 4th 1999, Bloomington IN USA
(2009) What time is it now?
(2009) He wants to be friends with her
(2009) More Beautiful Moments and Memories
(2006) Menus with Intuitive Ideas for Right Flatware
 
RESEARCH
(2009) Following History of the Chinese Language
(2009) Mysteries of the Alphabet
(2008) A Look at the Sun in Various Scripts
(2006) Trend Stream 2007: Will
(2005) Trend Stream 2006: Simplicity
(2004) Seal Engraving
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INTERACTIVE BOOKS
(2010) I am not only located in space and in time
(2009) A Story Composed with Only /Shi/
(2008) Knitting Book
(2008) The Formation Rules of the Chinese Character
 
EXHIBITION DESIGN
(2009) Korean Pavilion of Heimtextil Frankfurt 2009
(2008) Korean Pavilion of Heimtextil Frankfurt 2008
 
GRAPHIC DESIGN
(2008) Amulets
(2008) Amulets on New Year's Letter Paper
(2008) Train in the Phoenix Island Resort in Jeju Island
(2004) Hitchcock comes to Korea
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CORPORATE IDENTITY AND EVENT IDENTITY
(2007) A Coffee House_Take a Break
(2007) SPM Talos
(2006) Seoul Toto Kid's Dental Clinic
(2006) The Korean People Artist Federation
(2006) On Game, No Game
(2006) Ewha Institute for Biomedical Law & Ethics
(2006) Ecosil
(2006) Record
(2005) Alquimste in Firstview
(2004) Mindtrip in Firstview
 
 
Knitting Book
Book, 11.7”x11.7”, Digital Print on Eames Architecture Paper
 
“Classic Yi is a syllabic logographic system of 8000–10,000 glyphs. Although similar to Chinese in function, the glyphs are independent in form, with little to suggest a direct relation. There are 756 basic glyphs based on the Liangshan dialect, plus 63 for syllables only found in Chinese borrowings” (From Wikipedia).   The columns and rows of Yi glyphs printed are seen on the two pieces of paper. From this one pair, a story can be generated as you move a row of glyphs all the way across along the fixed columns. Moreover, if you bring another row of glyphs, this one page book tells another, and another, different story. Isn’t it amazing?